π¨ Which Workshop to Choose?
Most Workshops:
ποΈ Tuesday, Wednesday, Thursday
β° 10:00 a.m. β 3:00 p.m.
π²**$600 β $650**
Note: Not every workshop is offered every session and not every workshop this session is listed.
ποΈ Studio Layering Process
Days: Tuesday, Thursday, Friday (Wednesday break for drying)
Time: 10:00 a.m. β 3:00 p.m.
Focus: Slowing down the process, layering, color mixing, medium, and patience
Best for: Artists interested in mastering a thoughtful, step-by-step studio approach
πΌοΈ Small Panel
Days: Tuesday, Wednesday, Thursday
Time: 10:00 a.m. β 3:00 p.m.
Focus: Simplification, brushstroke clarity, layering foundation
Best for: Painters who want to strengthen their compositional decisions in small format and reinforce the concept of suggestion instead of description
π Work on Paper
Days: Tuesday, Wednesday, Thursday
Time: 10:00 a.m. β 3:00 p.m.
Focus: Design, eye movement, vignetting, palette control, spatial restraint
Best for: Artists aiming to enhance visual energy, avoid over-detailing, and improve their brush and knife individualization
π£ Follow the Leader
Days: Tuesday, Wednesday, Thursday
Time: 10:00 a.m. β 3:00 p.m.
Focus: Clear separation of painting layers, palette control, guided repetition
Best for: Those looking to build and/or reinforce a consistent painting methodology
π§ Figure
Days: Tuesday, Wednesday, Thursday
Time: 10:00 a.m. β 3:00 p.m.
Focus: Confidence, eye-hand coordination, expressive spontaneity
Best for: Painters wanting to bypass hesitation and move directly from observation to action
πΈ Abstract and Abstracted Floral
Days: Tuesday, Wednesday, Thursday
Time: 10:00 a.m. β 3:00 p.m.
Focus: Mark making, line and color energy, intent vs. execution
Best for: Those developing expressive, abstract language in painting by depending upon the rhythms and feelings of nature rather than an accurate portrayal of nature
πΌοΈ Large Canvas
Days: Tuesday, Wednesday, Thursday
Time: 10:00 a.m. β 3:00 p.m.
Focus: Paint mixing scale, efficient palette use, working in color βbathsβ
Best for: Artists ready to work large, use more paint, and manage complexity across the canvas
βοΈ Sketchbook Reminder
Before moving to canvas:
Identify 3β4 strong shapes
Use wedges and arrows to guide the eye
Create diminishing vertical height for depth and movement
ποΈ βMake it work in your sketchbook, and it will work on the canvas.β
β Final Tip: The Core of the Practice
Every workshop is rooted in your core painting rhythm:
Self-assign a Task β Execute the task without thinking in as few brushstrokes as possible β Step back and assess what you did β Repeat
This system reinforces intuition, disciplined effort, and continuous growthβ
the true tools of a painterβs development.